- #FORMATION AVID MEDIA COMPOSER 5 MAC OS X#
- #FORMATION AVID MEDIA COMPOSER 5 PATCH#
- #FORMATION AVID MEDIA COMPOSER 5 SOFTWARE#
In addition, two long-standing format requests have been included, with Avid Media Composer now having support for Canon’s 24F HDV and Sony’s Progressive HDV codecs. However, if your video is really all over the place, the fluid stabilizer won’t save you. It actually worked very well in practice, seamlessly smoothing out slightly shaky footage. However, you still can’t adjust convergence or other 3D properties in Media Composer just yet.įor those of you with shaky hands, there’s a new fluid stabilizer to help steady those shots in post. Direct to edit is no longer a pipe dream.įor those of you who are starting to dabble in 3D, this release allows stereoscopic editing, which lets you cut and monitor your pictures in 3D. AMA is a nice addition that finally fulfills the promise of tapeless editing, by removing the time-consuming process of transcoding.
#FORMATION AVID MEDIA COMPOSER 5 PATCH#
However, by the time you read this, Avid will have had a patch out to fix the problem. As of this writing, however, there was a bug in using AMA that would report the media as being offline when it wasn’t. You have the choice of copying the footage to your local hard drive (recommended), or, if time is of the essence, you can edit right off the card! I tried this out using both P2 and SxS media, and it worked nicely.
Simply pop your P2 card into your editing computer, and edit away.
#FORMATION AVID MEDIA COMPOSER 5 SOFTWARE#
Native editing means that the software can edit with the footage straight from the camera – there is no re-wrapping or time-consuming transcoding needed. AMA allows you to edit natively in a variety of formats, including XDCAM EX and P2. There are some new additions to Media Composer, and probably the most revolutionary among them is AMA or Avid Media Access.
#FORMATION AVID MEDIA COMPOSER 5 MAC OS X#
Avid can be very picky about what versions of Windows or Mac OS X that it installs on, and you’ll want to make sure it runs well on your machine before you pull the trigger on a purchase. We highly recommend that you download the free trial and give it a try on your own system before purchasing. In addition, if you’re a student or educator, you can get the software for a song at $295, and there is now a 14-day free trial at, so you can test it out for yourself. In more recent times, Avid Media Composer has come down to a much more reasonable $2,495, in order to compete with other video application bundles.
So what can you do new with a program that’s well into its teens? The answer: refine, refine, refine – and that’s what Avid has done with Media Composer 3.5.įor most of its run in the professional world of non-linear editing, Avid came with a five-figure price tag, keeping it out of reach for many independent producers. It was cutting feature films when Premiere was looking at postage stamp-sized video and Final Cut wasn’t even a gleam in the eye of Apple. Avid Media Composer is one of the oldest video-editing programs.
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